Date:
1.7.23
Saturday
Hour: 14:30

Dancing Pina

Nearly 50 years after Pina Bausch choreographed her two greatest dance pieces, young dance ensembles on separate continents rediscover them, give them new life, and find themselves deeply changed by the experience. A ballet company in Dresden rehearses the dance opera “Iphigenie auf Tauris,” while in Dakar, Senegal, dancers from all over Africa rehearse “The Rite of Spring.” Little by little, classical ballet, tribal dance, street art, and each performer’s personal language of movement flow into each other as the dancers move in the studio, on the beach, and through surprising landscapes. This fresh take on the groundbreaking pieces proves to be just as passionate and emotionally charged as the original.

Director: Florian Heinzen-Ziob

Germany 2022 | 111 minutes | English, French, German and Portuguese | Hebrew and English subtitles.

More Events

Events More

Date:
26.2
Thursday
Hour: 20:00

A Group of | Michal Samama

Michal Samama is a choreographer whose works exist in the space between dance, theatre, and visual art. As part of the Creators Lab series that offers encounters with artists and explores creative processes, Sela presents Samama’s latest ensemble work, Group.
A Group Of is a documentary dance, built around some forty songs many of us grew up with, for better or for worse, evoking longing and revulsion. The piece returns to materials drawn from the collective's childhood experiences. Out of the joy of play and rhyme emerge the horror of the night, hidden and overtaken violence, contradictory ideas, and the solitude of the joint body. Like a compulsive thought that chases sleep as the children toss and turn, the piece is overtaken by practices of excess, obsessiveness, restlessness, and agitation. It is a collective work, in body, voice, word, and song.


Fear drifts through the air. We must be brave! We tease each other instead of crying. We are allowed to be cruel. Violence is part of the game. I dream that my mom is coming; I reach for her, but my hands hit the cold wall. I go back to sleep.
In the morning, the housemother flings open the windows, waking us with a shout: "One-two-three, on your feet!" We are her little company of soldiers. Standing, like leaves on a branch, in front of a row of sinks. I brush my teeth and hear a voice. We don't believe in God. But I still hear a voice. A voice speaks to me: "We survived another night!"  

 

Performers: Karmit Burian, Moshe Shechter Avshalom, Omer Uziel, Kim Teitelbaum, Keren Carmon, Isaac Chocron
 

StageTalk After the performance, a conversation with choreographer Michal Samama and the ensemble dancers will explore topics such as the kibbutz and collectivity, theatre and contemporary dance, the boundaries of the genre, and movement as language.
 

Artistic advisor: Tal Yahas
Text and vocal consultation: Hadas Pe’ery
Lighting: Tamar Orr
Costumes and production: Daria Efrat and Michal Samama
Outside eye: Darya Efrat
Graphic design: Miki Matlon

 

Through the singular language of Michal Samama, and the piercing, precise performance of six heartbroken performers, I was carried yesterday through a time tunnel back to my own childhood, connected, with terrifying force, to the childhood horrors of all children everywhere. Thank you for this. I thought of Maguy Marin, I thought of Hanoch Levin, I thought of my own life and the lives of everyone I love. - Iris Lana, dance scholar
Group of, Michal Samama’s new work, performed by her remarkable ensemble, once again lands a punch to the gut. Six performers who never separate for a moment throughout the entire piece, churning together all of our childhoods—the innocence, the stupidity, and the sorrow. I can’t stop thinking about it. Go see it. - Shelly Lieibowitz-Kalaora, curator


The entire work, as its title, a severed construct phrase, suggests, is haunted by ghosts. Scene after scene, phantom pains reappear, which the dancers attempt to soothe through a compulsive repetition of words, sentence fragments, or parts of familiar songs. The truncated sentences complete themselves, almost automatically, in a conditioned response that testifies to the power of Israeli collective conditioning. The immediacy of this response is physical; it bypasses consciousness and, in an instant, makes my own body a participant in the performance. Samama makes an exceptional formal choice, fusing the dancers throughout the work. - Ran Brown, Haaretz

 

Read more Read more
Date:
5.3
Thursday
Hour: 19:00

A Chance to be Saved - A Journey into the Light and Darkness of Eviatar Banai | Doron Tsabari

Eviatar Banai is an artist who has reached an unparalleled, transcendent status in Israeli culture, articulating the heartbeat and yearnings of the nation. Banai writes and sings about himself, yet a vast public of Israelis adults and youth, religious and secular, Ashkenazi and Mizrahi find their own reflections within his music. They have turned his songs into anthems and prayers, finding solace and profound meaning in them.

 

In his personal life, Banai embodies a dual identity, living an internal conflict: In his "Jewish" identity, he is a devout ultra-Orthodox (Haredi) man who strictly observes religious commandments and studies in a Yeshiva for six hours every day. In his "Israeli" identity, he is a rock star who sells out arenas, drawing a broad and fiercely loyal audience. He is a rock star with a kippah, tzitzit, and a guitar, who seeks to open the gates of heaven through his music and sanctify God's name (Kiddush Hashem) on stage.

 

"A Chance to Be Saved" is a monumental television series filmed over the course of 11 years, encompassing an unprecedented 240 days of shooting.

Watching the series is a time-traveling experience, navigating the peaks and abysses of Eviatar's life, alongside an intimate journey into his consciousness. It raises profound questions that resonate in every person's life, especially in these times: What constitutes a life of value and meaning? What is true love? By what values should we raise our children? How does one grow from shattered pieces? How do we find light within the darkness? How do we transmute pain into compassion?


"A Chance to Be Saved" is a sweeping, epic television series about creation, inspiration, and faith. It is the journey of a man who lost his way, only to find his God and the love of his life in the heart of darkness.

 

Doron Tsabari (62) is a documentary film and television director, a social activist, and a Professor of Film and Television at the School of Audio and Visual Arts at Sapir College.

Tsabari has directed 11 documentary films and series and has won a record-breaking 6 Best Director awards from the Israeli Academy of Film and Television (the "Israeli Oscars"). Five of the films and series he created are included in the Israeli Ministry of Education's mandatory curriculum for matriculation exams in cinema and media studies.

Among the notable films and series Tsabari has directed: Dricks' Brother (with Ori Inbar), Underdog (with Rino Zror), Shuli's Guy, The King of Rating, A Guide to the Revolution, Mechubarot (Connected - Women), Mechubarim (Connected - Men), The Silver Platter, and more.

 

The series will be screened in sequence:

Thursday, March 5th at 19:00, Episodes 1-3 (190 minutes, with a break between episodes 2 and 3).

Friday, March 6th at 11:00, Episode 4, followed by a conversation with the series creator, Doron Tsabari (Screening: 65 min | Conversation: 45 min).

 

Click here for tickets to both screenings: ₪ 60 | Institute employees: ₪ 50

Read more Read more