Upcoming Events

Date:
19.11
Friday
Hour: 11:00

EXHIBITION ON SCREEN | דיויד הוקני

בשיתוף סינמטק ירושלים

אחת לחודש בשישי בבוקר, יוקרן סרט אחד מתוך סדרת סרטים בריטית מקורית ומעמיקה, שנוצרה במסגרת הפרויקט "תערוכות על המסך",
בשיתוף פעולה עם מיטב המוזיאונים והגלריות מהעולם.באמצעות שוטטות קולנועית במסדרונות המוזיאונים ותובנות של מיטב ההיסטוריונים,
אוצרים ומבקרי אמנות, כל אחד מהסרטים מזמין למסע מרתק אל דמותם ויצירתם של גדולי האמנים בהיסטוריה.

בראש המיזם עומדים הבמאי והמפיק עטור הפרסים פיל גרבסקי והבמאי דיויד ביקרסטאף. השניים חלוצים ביצירת סרטי אמנות ובשיתוף פעולה
עם המוזיאונים החשובים בעולם כמו הנשיונל גלרי בלונדון, המומה בניו יורק, הגלריה הלאומית לאמנות בוושינגטון ועוד.

הסרט הראשון שנבחר מתוך הסדרה אשר יוקרן בנובמבר, הוא מהבודדים שנעשו על אמן חי, אשר גם בעשור התשיעי לחייו,
לא נראה שעומד להאט את הקצב או לעדן את הישירות המאפיינת אותו.
דיוויד הוקני הוא אמן הבריטי מהפופולריים בדורנו, תערוכותיו מוצגות בלונדון, ניו יורק, פריז ומושכות מיליוני צופים מרחבי העולם.
הסרט מתמקד בשתי תערוכות יוצאות דופן שהציג הוקני ברויאל אקדמי בלונדון בשנים 2012 ו־2016, תערוכת ציורי נוף ותערוכה של פורטרטים .
הבמאי פיל גרבסקי זכה בגישה נדירה לתהליך העבודה של האמן ולראיונות אינטימיים ומרתקים על תהלכי היצירה שלו.
בימוי: פיל גרבסקי | בריטניה 2017 | 85 דקות | אנגלית | תרגום לעברית

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Date:
17.12
Friday
Hour: 11:00

EXHIBITION ON SCREEN | רמברנדט

בשיתוף סינמטק ירושלים

בראש המיזם עומדים הבמאי והמפיק עטור הפרסים פיל גרבסקי והבמאי דיויד ביקרסטאף. השניים חלוצים ביצירת סרטי אמנות ובשיתוף פעולה
עם המוזיאונים החשובים בעולם כמו הנשיונל גלרי בלונדון, המומה בניו יורק, הגלריה הלאומית לאמנות בוושינגטון ועוד..

אחת לחודש בשישי בבוקר, יוקרן דיוקן אחד מתוך סדרה על גדולי המאסטרים של האמנות, מתוך הסדרה הבריטית EXHIBITION ON SCREEN
סדרה מקורית וחלוצה אשר מעבירה את חווית הצפייה באמנות לקולנוע. בליווי תובנות של היסטוריונים, אוצרים ומבקרי אמנות מובילים בעולם,
שוטטות קולנועית המרכיבה דיוקן ותובנות של גדולי המאסטרים.
הסרט השני שנקרין הינו על רמברנדט.
בשנותיו האחרונות צברה היצירתיות של רמברנדט תנופה חדשה, ועבודותיו מתקופה זו -כנות, עמוקות ונוגעות ללב – הן שעיצבו את הדימוי של רמברנדט הצייר והאדם.
ב־2014 עלתה במוזיאון נשיונל גלרי בלונדון התערוכה “רמברנדט: עבודות אחרונות”.
הסרט הוא פרי של שיתוף פעולה הנשיונל בין גלרי בלונדון והרייכסמוזיאום באמסטרדם,
ומתעד את ההכנות לקראת התערוכה, מתבונן על כל אחד מהציורים, טכניקת הציור, הצביעה, התחריט וההדפס,
כמו גם בדמותו ובחייו האישיים, בעזרתם של אוצרים, אמנים ואנשי רוח, חושף את עוצמתן של העבודות ומעניק לנו רובד נוסף להכרות עם אחד האמנים הגדולים בהיסטוריה.
במאי: קאט מנסור בריטניה 2014 | 97 דקות | אנגלית | תרגום לעברית

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Date:
26.2
Saturday
Hour: 11:00

קלאסי | צליל ומחשבה | צבי פלסר

סדרה אינטראקטיבית של צלילים ומחשבות, בעריכתו ובהשתתפותו של המנהל המוסיקלי והצ'לן צבי פלסר, בה יגיש את המוסיקה לצד התרשמויות ותובנות.

קונצרט 1# שיאי רומנטיקה

מנגנים:
רועי שילוח | כינור
גיא בן ציוני | ויולה
אריאל טושינסקי | צ'לו
צבי פלסר | צ'לו
מירי ימפולסקי | פסנתר

בתוכנית:
אנטון ארנסקי - רביעייה מס. 2 אופוס 35 לכינור, ויולה ושני צ'לו,
רוברט שומאן - רביעיית פסנתר אופוס 47
אורך התכנית כשעה ורבע ללא הפסקה

קונצרט זה יוגשו שתי רביעיות רומנטיות. האחת אהובה וידועה - רביעיית הפסנתר של רוברט שומאן והשניה פחות מוכרת ובעלת הרכב יוצא דופן - רביעייה המורכבת מכינור, ויולה ושני צ'לנים. יותר מ 50 שנה מפרידות בין היצירות ( שומאן 1842, 1894ארנסקי )

את רביעיית הפסנתר כתב שומאן בתקופה של פרץ יצירתי מדהים שבו נכתבו כמה מיצירותיו הטובות ביותר. ברביעייה יש את כל מה שמייצג לנו שומאן. רומנטיקה, ליריות, כח - עצמה סונורית ורתמית סוחפת וכן גם.. קלארה. אשתו האהובה קלארה לבית וויק נמצאת איתנו בכל ביצוע. היא היתה הפסנתרנית המבצעת הראשונה לרביעייה ב1844.

ארנסקי הוא לא שם שגור בעולם המוסיקה. הוא התחיל בתור ילד פלא שהלחין יצירות כבר בגיל תשע. היה תלמידו של רימסקי קורסקוב ובהמשך הפך למורה דגול בעצמו - למשל של רחמנינוב וסקריאבין. הרביעייה עצמה - בהרכבה הלא שגרתי - מוקדשת לזכרו של צ'ייקובסקי שמת שנה לפני כן. בפרק הראשון נמצא את הצליל המיוחד של הכנסיה האורתודוקסית הרוסית. הפרק השני מבוסס על מנגינה של צ'ייקובסקי והפרק השלישי מציג את הנושא המפורסם - שיר עם רוסי - המשוייך להכתרת הצאר. גם בטהובן ומוסורסקי השתמשו במנגינה הרוסית המוכרת הזאת לפניו.

הנגנים בקונצרט הם חברים ותיקים. מימי ילדותם המשותפת בקורסים של היחידה לנגנים מחוננים בהדרכת הכנר אייזק שטרן במרכז למוסיקה ירושלים ובפסטיבלים רבים ברחבי העולם. הכנר רועי שילוח, הויולן גיא בן ציוני, הצ'לנים צבי פלסר ואריאל טושינסקי והפסנתרנית מירי ימפולסקי.

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Date:
11.3
Friday
Hour: 11:00

Exhibition On Screen | לוסיאן פרויד - דיוקן עצמי

בשיתוף עם סינמטק ירושלים

בפעם הראשונה בהיסטוריה, האקדמיה המלכותית לאמנות בשיתוף עם המוזיאון לאמנות בבוסטון, ערכה תערוכה מקיפה של הדיוקנאות העצמיים של לוסיאן פרויד: עשרות ציורים, הדפסים ורישומים, שבהם המאסטר של האמנות המודרנית הבריטית הפנה את מבטו המסקרן אל עבר עצמו. אחד מהאמנים הנערצים בכל הזמנים, לוסיאן פרויד הוא מהציירים הבודדים במאה ה-20 שעסק בסוגת הדיוקן העצמי בצורה רציפה. מכלול היצירה שלו, מאפשר הצצה מרתקת אל תוך תהליך מחשבתו והתפתחותו של האמן, לדינמיקה של ההזדקנות ולהתפתחות הייצוג העצמי. (86 דקות. אנגלית, תרגום לעברית).
אחת לחודש בשישי בבוקר, יוקרן סרט אחד מתוך הסדרה הבריטית EXHIBITION ON SCREEN אשר מעבירה את חווית הצפייה באמנות לקולנוע. שוטטות קולנועית המרכיבה דיוקן ותובנות של גדולי המאסטרים, בליווי תובנות של היסטוריונים, אוצרים ומבקרי אמנות מובילים בעולם. בראש המיזם עומדים הבמאי והמפיק עטור הפרסים פיל גרבסקי והבמאי דיויד ביקרסטאף. השניים חלוצים ביצירת סרטי אמנות ובשיתוף פעולה עם המוזיאונים החשובים בעולם כמו הנשיונל גלרי בלונדון, המומה בניו יורק, הגלריה הלאומית לאמנות בוושינגטון ועוד.
לצפייה בטריילר: 
https://www.youtube.com/watch?v=jWwpVmgvFog&t=5s

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Date:
12.3
Saturday
Hour: 11:00

צליל ומחשבה 2#ֿ ברהמס קודאי והקשר ההונגרי

שתי סונטות בקונצרט. הראשונה מוכרת פחות אך ראויה למקום של כבוד ברפרטואר של צ'לנים. הסונטה אופוס 4 של המלחין ההונגרי זולטן קודאי. קודאי הוא אחד מהמלחינים החשובים ביותר במאה ה-20. יחד עם חברו בלה בארטוק הוא עסק באיסוף, קיטלוג ותיעוד של מוסיקת עם הונגרית. הסונטה מורכבת משני פרקים. הראשון הוא פנטסיה המגוללת כמו סיפור אגדה עם דו שיח מיוחד בין הצ'לו לפסנתר בעוד בפרק השני נמצא את מוסיקת העם הוירטואוזית המקושרת למוסיקה ההונגרית המסורתית.

ברהמס כתב שתי סונטות לצ'לו ולפסנתר. הפעם נאזין לשניה אופוס 99 בפה מז'ור. יצירה נועזת ומוחצנת במיוחד בקטלוג של ברהמס. לסונטה ארבעה פרקים כאשר כל פרק הוא עולם בפני עצמו. גם כאן נשמע את השפעות המוסיקה ההונגרית הן בטקסטורות המזכירות כלים עממיים וכן במקצבים הייחודים למוסיקה ולשפה ההונגרית.

מנגנים:
צבי פלסר | צ'לו
מירי ימפולסקי | פסנתר
בתוכנית:
ז. קודאי - סונטה אופוס 4
י. ברהמס - סונטה אופוס 99 בפה מז'ור
אורך התכנית כשעה ורבע ללא הפסקה

קונצרט מס' שתיים מתוך סדרה אינטראקטיבית בעריכתו ובהשתתפותו של המנהל המוסיקלי והצ'לן צבי פלסר.

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Date:
9.4
Saturday
Hour: 11:00

קלאסי | צליל ומחשבה 3 # Cellissimo קונצרט לארבעה צ'לנים


הרן מלצר | עליסה אברהם | גבריאל בייגל | צבי פלסר
בתוכנית:
מוצארט - פתיחה לאופרה-נישואי פיגארו
סן סאנס - אלגרו אפסיונטו
פיצנהאגן - אווה מריה אופוס 41
דבוז'אק - רונדו
ארוו פארט - פרטרס
פיצנהאגן - ואלסים קונצרטנטיים אופוס 31
אורך התכנית כשעה ורבע ללא הפסקה

רביעיית צ'לנים הוא הרכב שהולך ותופס תאוצה בעולם המוסיקה. להרכב עושר צלילי יוצא דופן ואפשרויות רבות לרפרטואר החל מיצירות מקוריות לצד עיבודים מעולים. התכנית Cellissimo מורכבת מיצירות אהובות וידועות לצד הפתעות ותגליות. 

לצד מוצארט והפתיחה לאופרה "נישואי פיגארו" תוצג יצירתו הייחודית והרוחנית של המלחין האסטוני - ארוו פרט "פראטרס" . הוירטואוזיות תגיע ביצירתו של הצ'לן הנודע פיצנהאגן שהיה הצ'לן המיועד של צ'ייקובסקי וכן תבוצע יצירתו "אוה מריה" תפילה מרגשת למקהלת צ'לנים. שני מלחינים שכתבו הרבה לצ'לו - דבוז'אק וסן סאנס גם הם יוצגו בתכנית. 
בין לבין נשוחח עם הצ'לנים, נכיר את הכלי ואת אורח חיי הצ'לנים. (ידעתם שכשטסים עם צ'לו צריך לרכוש מושב נוסף?? Mr. Cello)הצ'לנים בהרכב הם:
צבי פלסר - פרופסור באקדמיה למוסיקה ולמחול בירושלים,
הרן מלצר - המכהן כצ'לן הראשי בתזמורת הפילהרמונית הישראלית,
ושני תלמידים בכירים גבריאל בייגל ועליסה אברהם העושים לעצמם כבר שם בעולם המוזיקה

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Date:
5.12
Monday
Hour: 20:00

DIS-COVER: שיחה עם חיים באר

לינק למפגש 

סדרה של מפגשים בין סופרים ומשוררים למדענים במכון ויצמן למדע,  שבחרו את מי ומה היו רוצים לשאול.

חיים באר, מחברם של הרומנים 'נוצות', 'עת הזמיר', 'חבלים', 'לפני המקום', 'אל מקום שהרוח הולך', 'חלומותיהם החדשים', 'בחזרה מעמק רפאים' ו'צל ידו', ספרי מאמרים, מסות, מחקר ושירה, זכה בפרס ביאליק, פרס ברנר, פרס עגנון ועוד שורה ארוכה של פרסים.

פרופ' צחי פלפל הינו גנטיקאי וחוקר אבולוציה. מתענין במבנה הגנום, באבולוציה שלו ובבקרה עליו. עומד בראש המחלקה לגנטיקה מולקלרית ומרכז ברגינסקי למנשק בין מדע ורוח. חוטא בכתיבה, פרוזה ושירה. 
 

שיחה על יצירה גילוי והשראה, על מה שהתגלה ומה היה צריך לקלף או להסיר, כדי למצוא ולהמציא. בשיתוף הקהל .

הכניסה חופשית, על בסיס מקום פנוי 

האירוע נערך בחסות מרכז ברגינסקי לממשק בין מדע לרוח

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Date:
9.12
Friday
Hour: 11:00

תערוכות על המסך: פיקאסו הצעיר

סרטים רבים כבר עסקו בשנותיו האחרונות של פאבלו פיקאסו: האמנות, הרומנים, חוגי האמנים והידידים הגדולים.  הסרט פיקאסו הצעיר מתבונן על השנים המוקדמות שלו של פאבלו פיקאסו : שנות ההתבגרות והלימודים שהובילו להישגיו יוצאי הדופן. מלגה, ברצלונה ופריז משחקות תפקיד משמעותי במסע הזה, והסרט בוחן את השפעתם של המקומות בהם הוא חי וגדל על האמן, דרך עבודות ספציפיות מאותן שנים. הסרט גם בודק כיצד למד פיקאסו את אומנותו באמצעות התמקדות בשתי תקופות משמעותיות: התקופה הכחולה והורודה – אנחנו חוזרים אל שנת 1907 ואל יצירתו המשמעותית “העלמות מאביניון” – שהיכה בתדהמה את עולם האמנות ושינה אותו לבלי הכר, כשהיה בן 25 בסך הכל. בסיוע המוזיאונים של מלגה, ברצלונה ופריז, “פיקאסו הצעיר” מתבונן על דרכו של האמן אל פסגות יצירתו.

בימוי : פיל גרבסקי

אורך הסרט: 90 דקות אנגלית, ספרדית וצרפתית, תרגום לעברית ולאנגלית

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Date:
9.1
Monday
Hour: 20:00

DIS-COVER : שיחה עם אתגר קרת

לינק למפגש 

המפגש השני בסדרת שיחות בין סופרים למדענים מארח את אתגר קרת - סופר, תסריטאי, קומיקאי ובמאי, שספריו זכו להצלחה ביקורתית ומסחרית בינלאומית, ומעל ל-100 מסיפוריו עובדו לקולנוע.

פרופ' רועי עוזרי, פיזיקאי במחלקה לפיזיקה של מערכות מורכבות במכון ויצמן למדע. רועי חוקר אטומים קרים המשמשים, בין היתר, לבנית מחשב קוונטי אוניברסלי ולמדידות מדויקות. בנוסף רועי מכהן כסגן נשיא לפיתוח משאבים ותקשורת.

שיחה על גילוי והשראה, על מה שהתגלה ומה היה צריך לקלף או להסיר, כדי למצוא ולהמציא. בשיתוף הקהל.

הכניסה חופשית (על בסיס מקום פנוי),

נערך בחסות מרכז ברגינסקי לממשק בין מדע לרוח. 

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Date:
14.1
Saturday
Hour: 11:00

צליל ומחשבה: פטר והזאב | חמישיית תל אביב

הסדרה 'צליל ומחשבה' מארחת את חמישיית תל אביב- חמישה נגנים מספרים את הסיפור הידוע על פטר השובב שלא סגר אחריו את השער, על סבא המודאג, על חיות הבית שהשתעשעו והתקוטטו באחו, ועל הזאב הרשע שאיים לטרוף את כולם. בקונצרט-ההצגה הזה הנגנים לא רק עומדים ומנגנים, הם גם מספרים את הסיפור, נעים על הבמה, ומשתמשים בשלל חפצים - כולל כלי הנגינה עצמם - כדי לגלם את הדמויות השונות.
הילדים פוגשים מקרוב את כלי הנשיפה, ונסחפים בחדוות הנגינה המשותפת.
זהו שיתוף הפעולה השני של ההרכב עם הבמאי ארי טפרברג.
המופע הופק בתמיכת קרן פטריק ולינה דרהי ועלה בבכורה במסגרת פסטיבל קול המוזיקה בגליל העליון בכפר בלום ובמסגרת הפסטיבל הבינלאומי של תיאטרון הקרון בירושלים במהלך קיץ 2019
.

משך המופע כ-50 דקות
מיועד לילדים מגילאי 4 ומעלה.
מוזיקה: סרגיי פרוקופייב, עיבוד: יואכים לינקלמן
מנגנים : חמישיית תל אביב: הגר שחל – חליל, דימה מלכין – אבוב,  שירה אליסף – קלרינט,  איתמר לשם – קרן,  נדב כהן – בסון,
בימוי: ארי טפרברג

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Date:
23.1
Monday
Hour: 20:00

DIS-COVER : שיחה עם דורית רביניאן

לינק למפגש 

מפגש שלישי במסגרת סדרת מפגשים  בין סופרים ומשוררים למדענים במכון ויצמן למדע,  שבחרו את מי ומה היו רוצים לשאול. 

דורית רביניאן היא סופרת ותסריטאית. ספריה מתורגמים לכ-30 שפות וזוכים לקהל אוהד גם מעבר לים. ספרה האחרון, "גדר חיה" עמד במרכזו של סקנדל ציבורי בעקבות פסילתו מתכנית הלימודים של משרד החינוך בנימוק ש"הספר מעודד התבוללות".

ד״ר מיטל אורן-סויסה חוקרת במחלקה לחקר המח במכון ויצמן למדע. במחקרה היא מתמקדת בקשר שבין המין הגנטי למבנה ותפקוד מערכת העצבים, במצבי חולי ובבריאות.

שיחה על גילוי והשראה, על מה שהתגלה ומה היה צריך לקלף או להסיר, כדי למצוא ולהמציא. בשיתוף הקהל.

נערך בחסות מרכז ברגינסקי לממשק בין מדע לרוח.

הכניסה חופשית על בסיס מקום פנוי 

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Date:
1.2
Saturday
Hour: 11:00

The Colour of Ink | Brian D. Johnson

The screening of the film "The Color of Ink" has been postponed by a day, from Friday morning, January 31st, to the following day, Saturday, February 1st, at 11:00 AM.

 

Ink is our primordial medium – it has recorded the evolution of humanity. The film ‘The Color of Ink’ is a poetic and chemical journey, revealing the mystery and power of the medium through the eyes of Jason Logan, a visionary ink maker. Working with ingredients he collects in nature – weeds, berries, tree bark, flowers, rocks, rust – he makes ink from almost anything and sends custom-ordered inks to an eclectic range of artists around the world, from a New York caricaturist to a Japanese calligrapher whose work is a stirring blend of words, illustration, ink and movement. He also visits some of them, such as an artist who creates ochre colors from rocks, or indigenous artists who make red color from beetles in Mexico (he sends the red ink he produces to Margaret Atwood, creator of "The Handmaid's Tale", who draws women in red dresses for him). When the ink and the colors he sent take on a life of their own, his playful alchemy paints a story of color that reconnects us to the earth and returns us to a childlike sense of wonder. A film that delights in the sensuality of ink, in the way it is absorbed by paper, mixes with other colors, influences them, seeps into them, arouses a passion for chemistry, or alchemy and above all, it is a song of praise for craft, for deliberateness, for wonderful control of materials, for the simplicity of creation and life.

 

The film joins a common movement that is growing worldwide, to revive analog media and natural paint, not only as a nostalgic act – in a digital age, when the line between truth and lies has become so slippery, there is a yearning for the indelible substance of ink and the tangible connection of the language of handicraft. Throughout civilization, ink has remained our most enduring documentation, a fossilized human consciousness. And in its quick radiance, one can discover the magic of a medium that still binds us like nothing else – a stamp of authenticity in an age of binary code. 


Director: Brian D. Johnson


Canada 2022 | 105 Minutes | English Japanese and Spanish | Hebrew subtitles 
 

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Date:
3.2
Monday
Hour: 20:00

DIS-COVER Yair Assulin and Professor Idan Segev

Yair Assulin, writer and thinker, winner of the Sapir Prize for a Debut Novel in 2011, the Ministry of Culture Prize and the Prime Minister’s Prize for Hebrew Literary Works in 2016. He previously taught Jewish Studies and Comparative Literature at Yale University, writes a regular column in Haaretz newspaper and hosts the thought program on ‘Kan’.


Idan Segev is a Professor of Computational Neuroscience at the Center for Brain Sciences at the Hebrew University, a senior partner in the Blue Brain Project (Switzerland) and the Human Brain Project (EU), and one of the founders of Frontiers, the international scientific journal. His main field of interest is the study of neurons and neural networks in mammalian and human brains, with the aim of understanding “what makes humans unique.” Idan is also interested in the connection between the brain and art, and has run fascinating meetings between artists and scientists.


The dialog will address the revolutionary times we live in – the changing of the world order – the great challenges and opportunities facing humanity today, and the burning questions that lie ahead. It will illuminate the critical importance of partnerships between researchers in the natural sciences and those in the social sciences and humanities, so that we can thrive in a new, fruitful and creative world – humanity as a whole, and Israeli society in particular. 

Under the auspices of The Braginsky Center for the Interface between Science and the Humanities.
 

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Date:
21.3
Friday
Hour: 11:00

Walking on Water | Andrey Paounov

The Floating Piers project was conceived by artist Christo almost 50 years ago, in 1970, together with his wife Jeanne-Claude. Together, they tried to turn it into reality several times in places like Argentina and Japan but were unable to obtain the necessary permits. Yet Christo never stopped dreaming and created sketches and drawings that show the amazing effect of the floating piers with which the film opens.

 

After a series of particularly impressive works of art that he created together with his wife Jeanne-Claude, Christo dreams of walking on water. To this end, he wants to build paths leading from the shores of Italy’s Lake Iseo to the small island in its center.

The man who wrapped the Reichstag in fabric, spread a curtain over a valley in the Rocky Mountains, and covered a vast area in Japan with umbrellas, did not think it was a big deal to spread more than 200,000 polyethylene cubes wrapped in fabric across a lake. But then Italian bureaucracy came into play.

Building the “floating piers” proved to be a complex task both technically and personally, and although the spectacular creation attracted tens of thousands of visitors, there was never a moment behind the scenes when the drama level was less than a wave.


Previous festivals: Locarno, TIFF, Doc NYC 2018, Hong Kong IFF, Thessaloniki DFF 2019, Louvre FF

Directed by: Andrey Paounov. 

USA-Italy 2018, 100 minutes, English and Italian, Hebrew subtitles

 

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Date:
5.5
Monday
Hour: 20:00

The Quantum Age | Yair Assulin & Prof. Roee Ozeri

Yair Assulin will be speaking about quantum computing with Prof. Roee Ozeri, a physicist in the Department of Physics of Complex Systems at the Weizmann Institute of Science who researches cold atoms used to develop a universal quantum computer and for precision measurements (among other things). He also serves as Vice President for Resource Development and Communications. We will explore what quantum computing truly means, how close we are to its realization, and the significance of a non-binary world that lets us solve previously inaccessible problems, as well as highlight the opportunities, challenges, and questions it creates and the broader implications of this technological revolution. 

 

The discussion will be held in Hebrew  

Brave New World, Aldous Huxley’s 1932 futuristic novel, presents a chilling satirical vision of a utopian future in which humans are reproduced artificially and their emotions are sterilized through drugs so they will passively serve the government. In this world, war and disease have been eradicated at the cost of individuality, art, family, and love. The novel is considered one of the most influential futuristic masterpieces of the 20th century, coining terms that have become integral to socio-political discourse.
Today, at the dawn of the third millennium, we are living in a “Brave New World” filled with unimaginable advancements but also fear and danger. A world where “space” and “time” are fundamentally different from what we once knew; a world of new human consciousness. The Weizmann Institute is one of the places where this great era is developing, both through research and action. In a series of conversations, Yair Assulin will ask pioneering researchers in some of today’s most revolutionary fields (quantum computing, artificial intelligence, and evolution) to explore the major questions emerging from the various fields of research, the enormously relevant connection between science and the humanities in this era, and the new humanity emerging before our eyes.

 



Sponsored by the Braginsky Center for the Interface between Science and Humanities, with participation from the audience.
 

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Date:
26.5
Monday
Hour: 20:00

What Do We See ? | Yair Assulin & Prof. Tali Dekel

Yair Assulin will be speaking with Prof. Tali Dekel, from the Faculty of Mathematics and Computer Science at the Weizmann Institute of Science, who is at the forefront of generative AI research and a development partner for Google’s video generation model, Lumiere – about vision, accelerated developments in AI, and whether artificial intelligence can truly see for us. We will explore how to translate human essence into AI and what the ideal interface is between humans and machines. From these and other questions, we will try to understand how our human consciousness changes, and will change, over time. 


Sponsored by the Braginsky Center for the Interface between Science and Humanities, with participation from the audience.

 

The discussion will be held in Hebrew

 

Brave New World, Aldous Huxley’s 1932 futuristic novel, presents a chilling satirical vision of a utopian future in which humans are reproduced artificially and their emotions are sterilized through drugs so they will passively serve the government. In this world, war and disease have been eradicated at the cost of individuality, art, family, and love. The novel is considered one of the most influential futuristic masterpieces of the 20th century, coining terms that have become integral to socio-political discourse.
Today, at the dawn of the third millennium, we are living in a “brave new world” filled with unimaginable advancements, but also fear and danger. A world where “space” and “time” are fundamentally different from what we once knew; a world of new human consciousness. The Weizmann Institute is one of the places where this great era is developing, both through research and action. In a series of conversations, Yair Assulin will ask pioneering researchers in some of today’s most revolutionary fields (quantum computing, artificial intelligence, and evolution) to explore the major questions emerging from the various fields of research, the enormously relevant connection between science and the humanities in this era, and the new humanity emerging before our eyes.
 


 

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Date:
9.6
Monday
Hour: 20:00

Evolvability | Yair Assulin & Prof. Tzachi Pilpel

Yair Assulin will be speaking with Prof. Tzachi Pilpel, a geneticist and evolutionary researcher from the Department of Molecular Genetics, the director of the Braginsky Center for the Interface between Science and Humanities, and the  2023 recipient of the Landau Prize for Science and Research. The conversation will focus on how processes of change and development manifest from the scientist’s perspective, what evolution can teach us about history, the impact of technological revolutions on research, the role of science in our era, and what it is like to be a scientist during paradigm shifts.


Sponsored by the Braginsky Center for the Interface between Science and Humanities, with participation from the audience.

 

The discussion will be held in Hebrew 
 

Brave New World, Aldous Huxley’s 1932 futuristic novel, presents a chilling satirical vision of a utopian future in which humans are reproduced artificially and their emotions are sterilized through drugs so they will passively serve the government. In this world, war and disease have been eradicated at the cost of individuality, art, family, and love. The novel is considered one of the most influential futuristic masterpieces of the 20th century, coining terms that have become integral to socio-political discourse.
Today, at the dawn of the third millennium, we are living in a “Brave new world” filled with unimaginable advancements, but also fear and danger. A world where “space” and “time” are fundamentally different from what we once knew; a world of new human consciousness. The Weizmann Institute is one of the places where this great era is developing, both through research and action. In a series of conversations, Yair Assulin will ask pioneering researchers in some of today’s most revolutionary fields (quantum computing, artificial intelligence, and evolution) to explore the major questions emerging from the various fields of research, the enormously relevant connection between science and the humanities in this era, and the new humanity emerging before our eyes.
 

 

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Date:
5.12
Friday
Hour: 11:00

Exhibition on Screen: Klimt & The Kiss

England’s ‘Exhibitions on Screen’ returns with a new series of films created as part of the global project in collaboration with the best museums and galleries worldwide. Through cinematic wanderings in museum halls and insights from top historians, curators, and art critics, these films draw viewers into a captivating journey into the lives and works of some of the greatest artists in history.

 

The Kiss by Gustav Klimt is one of the most recognized and reproduced paintings in the world. It is perhaps the most popular poster on student dorm walls from Beijing to Boston. Painted in Vienna around 1908, the evocative image of an unknown embracing couple has captivated viewers with its mystery, sensuality and dazzling materials ever since it was created. But just what lies behind the appeal of the painting – and just who was the artist who created it?  Delving into the details of real gold, decorative designs, symbolism and simmering erotica, a close study of the painting takes us to the remarkable turn of the century Vienna when a new world was battling with the old. Klimt was a titan of the Art Nouveau movement, creating decadent new worlds which merged tender sensuality, ancient mythology and radical modernity. Discover the scandalous life and the rich tapestry of extraordinary influences behind one of the world’s favorite paintings in this powerful, gripping and passionate film. Uncover Klimt’s scandalous life, his Art Nouveau brilliance, and the rich influences behind this unforgettable 


Director: Ali Ray 
United Kingdom 2023 | 90 minutes | German and English, subtitles in Hebrew 
 

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Date:
5.2
Thursday
Hour: 19:00

Etty | Hagai Levi

Based on the diaries of Etty Hillesum, this series by Golden Globe winner Hagai Levi, ("Be’Tipul"  [In Treatment], "Scenes from a Marriage", "The Affair"), traces the extraordinary personal journey of the young Dutch woman from 1941 to 1943.
In Nazi-occupied Amsterdam, a young woman goes to therapy. 
This is Etty Hillesum. At the age of 27, driven by a deep passion for life, she embarks on a spiritual and emotional journey, all chronicled in her diaries. In them, she unfolds her turbulent love affair with psycho-chirologist Julius Spier - a relationship that becomes the catalyst for a radical inner transformation, accelerated by the growing threat she faces as a Jewish woman, ultimately leading her to an enormous act of solidarity.
Hillesum’s diaries were first published 40 years after her death. Since then, they have been translated into over 20 languages and sold millions of copies worldwide. Told in an unconventional fashion, the series offers a dialogue between past and present, revealing how Etty's striving for meaning continues to resonate today, and evoking the timely question: How do we find hope in a hopeless world?

 

Director: Hagai Levi

Dutch, German | 148 minutes | Hebrew subtitles
 

The series will be screened in two parts :
Part 1(Episodes 1–3) and Part 2 (Episodes 4–6). 
Part 2 will be screened on Monday, February 9, at 19:00 p.m.
A conversation with the creator Hagai Levi after the screening of Part 2
 

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Date:
6.2
Friday
Hour: 11:00

John Singer Sargent: Fashion & Swagger

John Singer Sargent is known as the greatest portrait artist of his era.  What made his ‘swagger’ portraits remarkable was his power over his sitters, what they wore and how they were presented to the audience. Through interviews with curators, contemporary fashionistas and style influencers, Exhibition on Screen’s film will examine how Sargent’s unique practice has influenced modern art, culture and fashion.


Filmed at the Museum of Fine Arts, Boston and the Tate Britain, London, the exhibition reveals Sargent’s power to express distinctive personalities, power dynamics and gender identities during this fascinating period of cultural reinvention. Alongside 50 paintings by Sargent sit stunning items of clothing and accessories worn by his subjects, drawing the audience into the artist’s studio. Sargent’s sitters were often wealthy, their clothes costly, but what happens when you turn yourself over to the hands of a great artist? The manufacture of public identity is as controversial and contested today as it was at the turn of the 20th century, but somehow Sargent’s work transcends the social noise and captures an alluring truth with each brush stroke. Step into the glittering world of fashion, scandal and shameless self-promotion that made John Singer Sargent the painter who defined an era. Explore the unique creative process of the late 19th century’s favorite portrait artist and the way in which his portraits captured the spirit of a vibrant and rapidly changing age.

 

Director: David Bickerstaff
United Kingdom 2023 | 90 min. | English | Hebrew subtitles 

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Date:
16.2
Monday
Hour: 20:00

Illusion: Travels to the Past as Deceptive Illusion. A meeting with Prof. Avner Wishnitzer

The first meeting in a new series – dialogues with researchers who have written essays on various aspects of illusion in their fields of research, as appeared in the 2026 edition of ‘Poetry of Science’, a periodical published once a year concurrently with the Weizmann Institute’s annual Ofer Lider prize for encouraging creative writing among scientists award ceremony. The editor of ‘Poetry of Science’ is Idan Barir, a translator of poetry and prose from Portuguese, Arabic, English, and Turkish.
 


"All history is contemporary history, according to  Italian historian Benedetto Croce. Any representation of the past (including those inescapable academic history research papers) is shaped by the reality within which it is created; it reflects prevalent beliefs, ideologies, hidden assumptions, writing strategies, and more. The difference between Travels to the Past and history in its academic sense is that historians are expected to be aware of the contemporary nature of their writings.” (Avner Wishnitzer)


Public discourse often raises the possibility of simultaneously returning to a glorious past and the greatness of a nation. Prof. Avner Wishnitzer and Idan Barir discuss the credibility, the validity, and the glory of that past, and the question of whether this past, which can ostensibly be visited or returned to, is indeed the one that historians refer to in their historical research.


Prof. Avner Wishnitzer – Historian, author, translator, Head of the Middle Eastern and African History Department at Tel Aviv University, and co-chair (with Prof. On Barak) of the Laboratory for the Histories of Climate Change at Tel Aviv University's Zvi Yavetz School of Historical Studies

The series is sponsored by the Braginsky Center for the Interface between Science and Humanities.


Schedule:
16/2 Travels to the Past as Deceptive Illusion, with Prof. Avner Wishnitzer
16/3 The Placebo Effect, with Prof. Asya Rolls
18/5 The Psychedelic Renaissance, with Prof. Shauli Lev-Ran
22/6 Phantom Pains, with Dr. Uri Hochberg
 

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Date:
17.4
Friday
Hour: 11:00

The Dawn of Impressionism: Paris, 1874

The Impressionists are the most popular group in art history - millions flock every year to marvel at their masterpieces. But, to begin with, they were scorned, penniless outsiders. 1874 was the year that changed everything; the first Impressionists, “hungry for independence”, broke the mould by holding their own exhibition outside official channels. Impressionism was born and the art world was changed forever. 
What led to that first groundbreaking show 150 years ago? Who were the maverick personalities that wielded their brushes in such a radical and provocative way? The spectacular Musée d’Orsay exhibition brings fresh eyes to this extraordinary tale of passion and rebellion. The story is told not by historians and curators but in the words of those who witnessed the dawn of Impressionism: the artists, press and people of Paris, 1874. See the show that changed everything on the big screen.


The Impressionists, once scorned and penniless, revolutionized art with their 1874 exhibition, which took place outside official channels. This film explores the passion and rebellion behind their groundbreaking work, told through the words of artists, the press, and the people of Paris, 150 years ago. Experience the exhibition that changed everything.


Director: Ali Ray


United Kingdom 2025 | 90 min. | English | Hebrew subtitles 

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Date:
25.5
Monday
Hour: 20:00

Illusions: To Know and Know Not, a meeting with Prof. Shauli Lev-Ran

The second meeting in a series – dialogues with researchers who have written essays on various aspects of illusion in their fields of research, as appeared in the 2026 edition of ‘Poetry of Science’, a periodical published once a year concurrently with the Weizmann Institute’s annual Ofer Lider prize for encouraging creative writing among scientists award ceremony. The editor of ‘Poetry of Science’ is Idan Barir, a translator of poetry and prose from Portuguese, Arabic, English, and Turkish.


“Alongside science’s demand for precision, society’s need for resolutions, nationalist movements and identity politics, with media polarizing opinions, and language whittling away to exclamation points, a hushed renaissance of incertitude is emerging. Challenging certainty and blurring the boundaries between “fact” and “fiction”, this psychedelic renaissance reminds us of the value of wonder and astonishment, but especially the willingness to entertain the unknown.” (Prof. Shauli Lev-Ran)


The use of psychoactive substances - hallucinogens, hallucinogenic mushrooms, and additional ingredients - has, in recent years, returned to the world of science and medical treatment in what has been designated as the “Psychedelic Renaissance”. Science recognizes the medicinal properties of psychedelic materials, but it is not always prepared to accept the undefined and unquantifiable aspects of its treatments. Prof. Shauli Lev-Ran in a dialogue with Idan Barir on hallucinations and reality within the context of this psychedelic renaissance - both as an established and historically cogent cultural phenomenon and as a considerable (even though yet unsatisfied) reawakening in research and treatment.


Prof. Shauli Lev-Ran – Psychiatrist and addiction treatment specialist, Researcher of psychiatric effects of psychoactive substances, Associate Professor at the Psychiatric Department of Tel Aviv University’s Faculty for Medical & Health Science’s School for Medicine, Fellow at The Center for Addiction and Mental Health, Toronto, Canada, Co-founder and Academic Director, Israel Center on Addiction.

 

sponsored by the Braginsky Center for the Interface between Science and Humanities
Free admission (based on availability)


Schedule:
16/2 Travels to the Past as Deceptive Illusion, with Prof. Avner Wishnitzer
29/6 The Placebo Effect, with Prof. Asya Rolls


 

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Date:
8.6
Monday
Hour: 20:00

A Chance to be Saved - A Journey into the Light and Darkness of Eviatar Banai | Doron Tsabari

Eviatar Banai is an artist who has reached an unparalleled, transcendent status in Israeli culture, articulating the heartbeat and yearnings of the nation. Banai writes and sings about himself, yet a vast public of Israelis adults and youth, religious and secular, Ashkenazi and Mizrahi find their own reflections within his music. They have turned his songs into anthems and prayers, finding solace and profound meaning in them.

 

In his personal life, Banai embodies a dual identity, living an internal conflict: In his "Jewish" identity, he is a devout ultra-Orthodox (Haredi) man who strictly observes religious commandments and studies in a Yeshiva for six hours every day. In his "Israeli" identity, he is a rock star who sells out arenas, drawing a broad and fiercely loyal audience. He is a rock star with a kippah, tzitzit, and a guitar, who seeks to open the gates of heaven through his music and sanctify God's name (Kiddush Hashem) on stage.

 

"A Chance to Be Saved" is a monumental television series filmed over the course of 11 years, encompassing an unprecedented 240 days of shooting.

Watching the series is a time-traveling experience, navigating the peaks and abysses of Eviatar's life, alongside an intimate journey into his consciousness. It raises profound questions that resonate in every person's life, especially in these times: What constitutes a life of value and meaning? What is true love? By what values should we raise our children? How does one grow from shattered pieces? How do we find light within the darkness? How do we transmute pain into compassion?


"A Chance to Be Saved" is a sweeping, epic television series about creation, inspiration, and faith. It is the journey of a man who lost his way, only to find his God and the love of his life in the heart of darkness.

 

Doron Tsabari (62) is a documentary film and television director, a social activist, and a Professor of Film and Television at the School of Audio and Visual Arts at Sapir College.

Tsabari has directed 11 documentary films and series and has won a record-breaking 6 Best Director awards from the Israeli Academy of Film and Television (the "Israeli Oscars"). Five of the films and series he created are included in the Israeli Ministry of Education's mandatory curriculum for matriculation exams in cinema and media studies.

Among the notable films and series Tsabari has directed: Dricks' Brother (with Ori Inbar), Underdog (with Rino Zror), Shuli's Guy, The King of Rating, A Guide to the Revolution, Mechubarot (Connected - Women), Mechubarim (Connected - Men), The Silver Platter, and more.

 

The series will be screened in sequence:

Thursday, March 5th at 19:00, Episodes 1-3 (190 minutes, with a break between episodes 2 and 3).

Friday, March 6th at 11:00, Episode 4, followed by a conversation with the series creator, Doron Tsabari (Screening: 65 min | Conversation: 45 min).

 

Click here for tickets to both screenings: ₪ 60 | Institute employees: ₪ 50

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Date:
9.6
Tuesday
Hour: 20:00

A Chance to be Saved - A Journey into the Light and Darkness of Eviatar Banai | Doron Tsabari

Eviatar Banai is an artist who has reached an unparalleled, transcendent status in Israeli culture, articulating the heartbeat and yearnings of the nation. Banai writes and sings about himself, yet a vast public of Israelis adults and youth, religious and secular, Ashkenazi and Mizrahi find their own reflections within his music. They have turned his songs into anthems and prayers, finding solace and profound meaning in them.

 

In his personal life, Banai embodies a dual identity, living an internal conflict: In his "Jewish" identity, he is a devout ultra-Orthodox (Haredi) man who strictly observes religious commandments and studies in a Yeshiva for six hours every day. In his "Israeli" identity, he is a rock star who sells out arenas, drawing a broad and fiercely loyal audience. He is a rock star with a kippah, tzitzit, and a guitar, who seeks to open the gates of heaven through his music and sanctify God's name (Kiddush Hashem) on stage.

 

"A Chance to Be Saved" is a monumental television series filmed over the course of 11 years, encompassing an unprecedented 240 days of shooting.

Watching the series is a time-traveling experience, navigating the peaks and abysses of Eviatar's life, alongside an intimate journey into his consciousness. It raises profound questions that resonate in every person's life, especially in these times: What constitutes a life of value and meaning? What is true love? By what values should we raise our children? How does one grow from shattered pieces? How do we find light within the darkness? How do we transmute pain into compassion?


"A Chance to Be Saved" is a sweeping, epic television series about creation, inspiration, and faith. It is the journey of a man who lost his way, only to find his God and the love of his life in the heart of darkness.


Doron Tsabari – Brief Resume

Doron Tsabari (62) is a documentary film and television director, a social activist, and a Professor of Film and Television at the School of Audio and Visual Arts at Sapir College.

Tsabari has directed 11 documentary films and series and has won a record-breaking 6 Best Director awards from the Israeli Academy of Film and Television (the "Israeli Oscars"). Five of the films and series he created are included in the Israeli Ministry of Education's mandatory curriculum for matriculation exams in cinema and media studies.

Among the notable films and series Tsabari has directed: Dricks' Brother (with Ori Inbar), Underdog (with Rino Zror), Shuli's Guy, The King of Rating, A Guide to the Revolution, Mechubarot (Connected - Women), Mechubarim (Connected - Men), The Silver Platter, and more.

 

The series will be screened in sequence:

Thursday, March 5th at 19:00, Episodes 1-3 (190 minutes, with a break between episodes 2 and 3).

Friday, March 6th at 11:00, Episode 4, followed by a conversation with the series creator, Doron Tsabari (Screening: 65 min | Conversation: 45 min).

 

Click here for tickets to both screenings: ₪ 60 | Institute employees: ₪ 50

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Date:
29.6
Monday
Hour: 20:00

Illusion: The Placebo Effect and Illusions as an Active Ingredient, a meeting with Prof. Asya Rolls

The third meeting in a series - dialogues with researchers who have written essays on various aspects of illusion in their fields of research, as appeared in the 2026 edition of ‘Poetry of Science’, a periodical published once a year concurrently with the Weizmann Institute’s annual Ofer Lider prize for encouraging creative writing among scientists award ceremony. The editor of ‘Poetry of Science’ is Idan Barir, a translator of poetry and prose from Portuguese, Arabic, English, and Turkish.


“The neural networks involved in positive expectations, those that incite a sense of hope, satisfaction, and motivation, are not limited to the mental realm. They influence the entire body, activate the immune system, and stimulate healing processes. Placebos, in this sense, serve as a portal to understanding the power of the brain to shape a physiological reality – how thought or faith can stimulate actual biological mechanisms.” (Prof. Asya Rolls)


The placebo effect is a phenomenon in which a patient receives a sham treatment, but the brain and the immune system are stimulated into performing an actual healing process. 


Prof. Asya Rolls in a dialogue with Idan Barir, on the potential of understanding the relationship between body and soul, the extent to which physical reality can be based on illusions created in the brain, and the role of faith and hope in the healing process.
Prof. Asya Rolls – Researcher at the School for Neurobiology, Biochemistry, and Biophysics at Tel Aviv University’s Life Sciences Faculty.

 

Sponsored by the Berginsky Center for the Interface between Science and Humanities
 


Schedule:
16/2 Travels to the Past as Deceptive Illusion, with Prof. Avner Wishnitzer
25/5 The Psychedelic Renaissance, with Prof. Shaul Lev-Ran

 

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Date:
5.10
Monday
Hour: 19:00

Nir Oz - Heaven | Hell, Yaron Zilberman - Episodes 1-3

Featuring 10 out of 17 episodes telling the traumatic, and heroic story of Kibbutz Nir Oz, a third of whom were kidnapped or murdered. 

 

The series offers an intimate, in-depth portrait of the traumatic experiences of the Kibbutz Nir Oz Community, alongside the kibbutz’s fascinating history and the unique communal bond of this one large family that endured a horrific massacre and is now seeking ways to survive, heal, and even grow, while preserving the dignity and memory of the victims. Each episode is dedicated to a  different personal story
On Tuesday, a discussion with the series creator, Yaron Zilberman and residents of the Nir Oz community


On Tuesday, Oct 6, we offer a discussion with the creator of the series, Yaron Zilberman and residents of the Nir Oz community

 

19:00 Episode 1 | The Magnitude of the Horror
Natan Bahat, and Shlomo and Hannah’le Margalit, among the founders of the kibbutz, recount what happened on that terrible day (50 min)


20:00 Episode 2 | The Wound Wants to Heal and Reopens
Dorin and B.J., who installed locks and saved lives; and Hadas Adar, whose husband Tamir went out to fight the hundreds of terrorists (47 min)


21:00 Episode 3 | If Only I Believed in the Afterlife
The Fauker family, Eyal and Tal Barad. One family, two safe rooms, fighting for their lives. (60 min)


Total duration: 177 minutes (including a 10-minute intermission between episodes)

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Date:
6.10
Tuesday
Hour: 18:00

Nir Oz - Heaven | Hell, Yaron Zilberman - Episodes 4,5,7

Featuring 10 out of 17 episodes telling the traumatic, and heroic story of Kibbutz Nir Oz, a third of whom were kidnapped or murdered. 

 

The series offers an intimate, in-depth portrait of the traumatic experiences of the Kibbutz Nir Oz Community, alongside the kibbutz’s fascinating history and the unique communal bond of this one large family that endured a horrific massacre and is now seeking ways to survive, heal, and even grow, while preserving the dignity and memory of the victims. Each episode is dedicated to a  different personal story

 

Today a discussion with the creator of the series, Yaron Zilberman and residents of the Nir Oz community

 

18:00 Episode 4 | My Whole Identity Changed
Thelma Atzili visiting for the first time; Eran Smilansky fights together with Beni Avital to rescue residents (45 min)

 

19:00 | A discussion with the creator of the series, Yaron Zilberman and residents of the Nir Oz community (40 min)


20:00  Episode 5 | I Can’t Wait for Them to Come Back
Eitan Cunio visits the homes of his brothers David and Ariel, who were taken hostage, and the home of the Bibas family, his close friends (48 min)


21:00  Episode 7 | Heroes Exist Only in Stories
Shahar Wahab, a farmer and photographer, trapped in an exposed shelter, tells of friends who postponed their flight by one day (52 min)


Total duration: 215 minutes (including a 10-minute intermission between episodes)


 

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Date:
7.10
Wednesday
Hour: 18:00

Nir Oz - Heaven | Hell, Yaron Zilberman - Episodes 7-10 and discussion

Featuring 10 out of 17 episodes telling the traumatic, and heroic story of Kibbutz Nir Oz, a third of whom were kidnapped or murdered. 

 

The series offers an intimate, in-depth portrait of the traumatic experiences of the Kibbutz Nir Oz Community, alongside the kibbutz’s fascinating history and the unique communal bond of this one large family that endured a horrific massacre and is now seeking ways to survive, heal, and even grow, while preserving the dignity and memory of the victims. Each episode is dedicated to a  different personal story
 

On Tuesday, October 6 a discussion with the series creator, Yaron Zilberman and residents of the Nir Oz community
 

18:00  Episode 6 | They Won’t Take My Granddaughters
Yaron and Li Maor in a grenade battle; Rachel Elgart-Danzig fighting for control of the door to save her granddaughters (62 min)

 

19:00 Episode 10  | Let Humanity Be Humane
Ziv and Shai Shalev, who lost their father and brother, visiting with their mother Bracha, who was traveling in Egypt at the time  (50 min)

 

20:00 Episode 12 | I’m Going to Gaza to Bring You Back
Lena Trufanov, who was kidnapped, tells of her husband who was murdered, and of the abduction of her mother, her son Sasha, and his partner Sapir (50 min)

 

21:00 Episode 11 | When There’s a Full Rainbow, Can You Make a Wish?
Nili Margalit’s first visit to the kibbutz after returning from captivity (50 min)


 

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Date:
26.11
Thursday
Hour: 20:00

Opening Night-“Eureka!” – Creators and Scientists Revisit the Birth of Ideas

Can we even revisit the moment an idea was born, or are we just providing a story in retrospect?

 

The expression “Eureka” (Greek for “I’ve got it”) is credited to Archimedes, who, according to legend, discovered the law of buoyancy in a bathtub and used it to determine whether the king’s crown was made of pure gold. Thrilled by his discovery, he ran out naked into the street shouting, “Eureka!”

 

The “eureka moment” occurs when something previously unknown, not understood, or yet to be imagined reveals itself. Sometimes it comes from a deliberate, persistent process; other times from an unexpected source – something someone said, a childhood memory, a coincidence, a dream, a blank stare, or a world-changing event. Sometimes ideas take shape underneath the surface; other times we find out they were there all along. Still other times, they simply refuse to come, leaving us with failed attempts, dead ends, frustration, and doubt. 

 

Scientists and artists alike chip away at the walls of knowledge and imagination without knowing what (if anything) they will find. They pursue a question, a feeling, or an impulse they can’t always explain, trying to give shape to something still unnamed. The eureka moment itself is actually sometimes hard to recall, as though the idea appeared while we weren’t there. 

 

The creators and scientists featured in this performance recount and depict moments of discovery and how ideas that led to scientific or artistic breakthroughs came into existence.  This is how we wish to trace the spark, the inspiration, the discovery, and the invention from scientists and creators alike, and introduce audiences to a collection of fantastic ideas alongside the stories behind their conception.

 

Featuring: Prof. Rafi Malach | Renana Raz | Dr. Eva Mishor | Roy Oppenheim and Zohar Sharon( of the Revolution Orchestra ) Dr. Udi Fonio | Maytal Raz | Dr. Ranit Kedmi | Officer Az-Oolay

 

Directed by: Yonatan Blumenfeld. Research: Yishai Laub

 

An original “Art & Culture at Sela” production, supported by the “Braginsky Foundation for the Interface Between Culture and the Humanities” and “Yad Chaim Weizmann”.

 

Tickets: 60 ₪ | Institute employees: 40 ₪

 

 

About the Participants

 

Prof. Rafi Malach (Neuroscience, Creativity) 

 

A leading neuroscientist at the Weizmann Institute of Science who researches how brain activity generates perception, thoughts, memories, and conscious experience. He is among the pioneers who utilized fMRI to study visual areas and object recognition in the brain, and his current research also explores creativity and spontaneous behavior.

 

Renana Raz 

 

Choreographer, director, and multidisciplinary artist whose work integrates dance, theater, video, and performance art. Her pieces have been presented in Israel and internationally, and she frequently engages with Israeli society and culture through an original and innovative theatrical language.

 

Roy Oppenheim and Zohar Sharon (The Revolution Orchestra) 

 

Founders and artistic directors of “The Revolution Orchestra” – Roy Oppenheim (conductor) and Zohar Sharon (composer). For over two decades, they have been leading innovative orchestral creations that bridge music with theater, dance, cinema, and video art.

 

Dr. Ranit Kedmi (Immune System)

 

 

An immunology researcher at the Weizmann Institute of Science, she studies the immune system and how it determines when to attack and when to tolerate. Her research focuses primarily on the relationship between the immune system, food, and gut microbiota, which may help us understand food allergies and diseases such as celiac disease.

 

Maytal Raz (Actress and Visual Theater Creator)

 

Actress, puppeteer, and visual theater creator who creates and performs in Israel and abroad. A graduate of the School of Visual Theater in Jerusalem, she is particularly well-known as a creator and for her role as Yasminish in the TV series “Michael”. Her work combines puppetry, acting, humor, and visual theater in a distinct, highly personal style.

 

Dr. Ehud Fonio (Wisdom of the Crowd)

 

A zoologist and complex systems researcher in the Department of Physics of Complex Systems at the Weizmann Institute of Science. He uses ants as a model for understanding collective intelligence – how simple individuals, without a central leader, make decisions, convey information, solve problems, and execute complex tasks together. 

 

Officer Az-Oolay (Performance Artist) 

 

A performance artist who created “Officer Az-Oolay”, a clown-police officer character who has been operating in public spaces in Jerusalem since 2020. Through humor, acting, and handing out heart stickers, she transforms encounters between strangers into opportunities for listening, connecting, and human intimacy (even in highly tense situations and during protests).

 

Dr. Eva Mishor (Neuro Research, Olfactory System) 

 

A neuroscientist trained at the Weizmann Institute in Prof. Noam Sobel’s laboratory, she researches how the sense of smell and subtle chemical signals influence human emotions, aggression, and social behavior.

 

 

 

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Date:
17.12
Thursday
Hour: 20:00

War Under the Shirt | A Dance-Poetry Performance by Fatemeh Ekhtesari & Inbal Oshman

 

‘War Under the Shirt’ is a dance-poetry piece uniting exiled Iranian poet Fatemeh Ekhtesari and Israeli choreographer Inbal Oshman on stage, alongside an ensemble of  dancers. 

 

Two powerful creators from culturally distant yet close backgrounds, seemingly on opposite sides of the divide, meet to challenge the norm and our preconceived notions and expectations for such an encounter.  Both artists bring their very best works to the stage, transforming and reshaping them into a complete and unified creative work. Ekhtesari's poetry takes listeners on  visual and emotional journeys as Oshman's movements fuse physical virtuosity with deep emotional resonance. The meeting of these two creators opens a space where movement and language echo, expand, and challenge one another.

 

‘War Under the Shirt’ offers audiences a unique experience to explore the female body in situations of pressure, resistance, vulnerability, power, freedom, and hope.

Last year, the two creators were guests at Sela, for a conversation and a glimpse into the creative process as it was taking shape, as well as a joint performance. This year, we are delighted to host the premiere of the full-length work on stage.


Stage Talk After the performance, there will be a conversation with the creators, moderated by the show’s dramaturg, Yannets Levi
 

 

Inbal Oshman is a choreographer and dancer who creates dance for stage, public spaces, and screen. Her pieces are performed at leading festivals and cultural centers in Israel and worldwide, earning both critical acclaim and popular appeal. She has also received several awards, including the Minister of Culture Award in 2018.

Oshman's dance works find inspiration from a unified compound of various cultural sources, including mythical, historical, political, social, and more. Music also plays a central role in Oshman's artistic universe. Some of her works, including ‘M Stabat Mater’ and ‘Shostakovich at Dusk’, reference the cultural and conceptual worlds of the classical pieces they were designed to accompany. 

Oshman collaborates in many of her works with leading music ensembles around the world, including JBO, NYBI, Camerata Geneva, the Kristiansund Opera String Quartet (Norway), the Carmel Quartet, the Valletta Baroque Ensemble (Malta), the Vilnius Baroque Orchestra, and others. She has also been invited as a guest artist at prestigious institutions such as the Kyoto Art Center (Japan) and the Attakkalari Dance Company (Bangalore, India).

Oshman is an honors graduate of the Department of Philosophy and Middle Eastern History at Tel Aviv University. Her studies focused on aesthetics and the exploration of choreographic action. 

 

Fatemeh Ekhtesari is a poet, editor, human rights activist, and midwife from Iran. She is part of the Iranian literary movement ‘Postmodern Ghazal’, which is seen as the most radical poetic group in contemporary Iran. She has also been the editor-in-chief of several literary magazines. Her poetry, fiction, and non-fiction writings explore issues of sexuality, religion, gender, and the struggle for women's rights in Iran and beyond. Ekhtesari published three poetry collections while in Iran and another six books after going into exile. Her first poetry collection was published in 2010, and was subsequently banned by the Iranian authorities. Ekhtesari was sentenced to 99 lashes and 11.5 years in prison, but managed to flee Iran before the sentence was carried out.

Ekhtesari has won numerous awards for her writing, including the Jaleh Esfahani Prize at the London Poetry Festival in 2013 and the Khorshid Prize awarded to female Iranian poets in 2012. In 2017, Fatemeh Ekthesari took up an ICORN residency in Lillehammer, Norway.

 

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Date:
22.12
Tuesday
Hour: 20:00

Peter is Leaving | A new show for monkey and machine by Amir Yaziv. Impresario: Noam Gal

Peter is a monkey who became human, but longs to become a monkey again. An animated character who speaks and acts spontaneously through AI technologies, Peter has been living, evolving, and expanding in the world for over two years. He is shaped by his intense and exposed relationship with the artist who created him, Amir Yatziv, as well as by conversations with audiences like you.
Peter and Amir meet on stage in an attempt to understand how Peter became a human being. But the live show takes them to unexpected places: Peter speaks directly with the audience, asks questions, becomes agitated and angry, searches for love, and desperately tries to return to being a monkey. All of this affects the dynamic between Peter and Amir, as well as between Peter and the audience, and shapes the way the performance unfolds in real time.
Peter Leaves is inspired by Franz Kafka’s 1917 short story A Report to the Academy, which reveals itself in the performance as sharper and more relevant than ever. The show invites the audience to explore questions of control and power in a world increasingly shaped by artificial intelligence. Between character and author, machine and human, audience and virtual entity, Amir and Peter confront us with experiences that reach beyond the reality as we know it
 

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Date:
26.1
Tuesday
Hour: 21:00

Gabriel Palatchi – Argentina Israel

The Sela Jazz Club is hosting a special guest from Buenos Aires–the pianist and composer Gabriel Palatchi, who is visiting Israel and giving a special performance at Sela. Palatchi is known for his innovative fusion of Latin jazz, tango, funk, world music, and electronic sounds. For the past 15 years, he has performed at major festivals around the world,  moving freely between modern jazz, Mediterranean rhythms, and Latin currents  to create a sound that is both intellectually rich and bursting with groove.  A dynamic performance that fuses technical virtuosity with emotional depth.


Palatchi studied classical music in Buenos Aires and trained with renowned masters of blues, tango, jazz, and Latin jazz. After graduating in 2007 from Berklee International School in Argentina, he continued his studies in Cuba with the legendary Latin jazz pianist Chucho Valdés, an experience that deeply shaped his artistic vision. Throughout his career, Gabriel has released several critically acclaimed albums, earning rave reviews from ‘Rolling Stone Magazine and Billboard’, among many others. His album ‘Trivolution’ received a Gold Medal at the ‘Global Music Awards’ 2015, and was ranked among the TOP TEN.  Palatchi leads workshops and masterclasses across the world,  inspiring new generations of musicians to find their own unique voice.

Gabriel Palatchi – piano
Uriel Saied – bass
Israel Biton – drums
Doors open: 20:00
Performance starts 21:00 (duration approx. 75 minutes)
Series curator: Matan Yaakov
 

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Date:
7.10
Wednesday
Hour: 18:00

Nir Oz - Heaven | Hell, Yaron Zilberman - Episodes 7-10 and discussion

Featuring 10 out of 17 episodes telling the traumatic, and heroic story of Kibbutz Nir Oz, a third of whom were kidnapped or murdered. 

 

The series offers an intimate, in-depth portrait of the traumatic experiences of the Kibbutz Nir Oz Community, alongside the kibbutz’s fascinating history and the unique communal bond of this one large family that endured a horrific massacre and is now seeking ways to survive, heal, and even grow, while preserving the dignity and memory of the victims. Each episode is dedicated to a  different personal story
 

On Tuesday, October 6 a discussion with the series creator, Yaron Zilberman and residents of the Nir Oz community
 

18:00  Episode 6 | They Won’t Take My Granddaughters
Yaron and Li Maor in a grenade battle; Rachel Elgart-Danzig fighting for control of the door to save her granddaughters (62 min)

 

19:00 Episode 10  | Let Humanity Be Humane
Ziv and Shai Shalev, who lost their father and brother, visiting with their mother Bracha, who was traveling in Egypt at the time  (50 min)

 

20:00 Episode 12 | I’m Going to Gaza to Bring You Back
Lena Trufanov, who was kidnapped, tells of her husband who was murdered, and of the abduction of her mother, her son Sasha, and his partner Sapir (50 min)

 

21:00 Episode 11 | When There’s a Full Rainbow, Can You Make a Wish?
Nili Margalit’s first visit to the kibbutz after returning from captivity (50 min)


 

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Date:
6.10
Tuesday
Hour: 18:00

Nir Oz - Heaven | Hell, Yaron Zilberman - Episodes 4,5,7

Featuring 10 out of 17 episodes telling the traumatic, and heroic story of Kibbutz Nir Oz, a third of whom were kidnapped or murdered. 

 

The series offers an intimate, in-depth portrait of the traumatic experiences of the Kibbutz Nir Oz Community, alongside the kibbutz’s fascinating history and the unique communal bond of this one large family that endured a horrific massacre and is now seeking ways to survive, heal, and even grow, while preserving the dignity and memory of the victims. Each episode is dedicated to a  different personal story

 

Today a discussion with the creator of the series, Yaron Zilberman and residents of the Nir Oz community

 

18:00 Episode 4 | My Whole Identity Changed
Thelma Atzili visiting for the first time; Eran Smilansky fights together with Beni Avital to rescue residents (45 min)

 

19:00 | A discussion with the creator of the series, Yaron Zilberman and residents of the Nir Oz community (40 min)


20:00  Episode 5 | I Can’t Wait for Them to Come Back
Eitan Cunio visits the homes of his brothers David and Ariel, who were taken hostage, and the home of the Bibas family, his close friends (48 min)


21:00  Episode 7 | Heroes Exist Only in Stories
Shahar Wahab, a farmer and photographer, trapped in an exposed shelter, tells of friends who postponed their flight by one day (52 min)


Total duration: 215 minutes (including a 10-minute intermission between episodes)


 

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Date:
5.10
Monday
Hour: 19:00

Nir Oz - Heaven | Hell, Yaron Zilberman - Episodes 1-3

Featuring 10 out of 17 episodes telling the traumatic, and heroic story of Kibbutz Nir Oz, a third of whom were kidnapped or murdered. 

 

The series offers an intimate, in-depth portrait of the traumatic experiences of the Kibbutz Nir Oz Community, alongside the kibbutz’s fascinating history and the unique communal bond of this one large family that endured a horrific massacre and is now seeking ways to survive, heal, and even grow, while preserving the dignity and memory of the victims. Each episode is dedicated to a  different personal story
On Tuesday, a discussion with the series creator, Yaron Zilberman and residents of the Nir Oz community


On Tuesday, Oct 6, we offer a discussion with the creator of the series, Yaron Zilberman and residents of the Nir Oz community

 

19:00 Episode 1 | The Magnitude of the Horror
Natan Bahat, and Shlomo and Hannah’le Margalit, among the founders of the kibbutz, recount what happened on that terrible day (50 min)


20:00 Episode 2 | The Wound Wants to Heal and Reopens
Dorin and B.J., who installed locks and saved lives; and Hadas Adar, whose husband Tamir went out to fight the hundreds of terrorists (47 min)


21:00 Episode 3 | If Only I Believed in the Afterlife
The Fauker family, Eyal and Tal Barad. One family, two safe rooms, fighting for their lives. (60 min)


Total duration: 177 minutes (including a 10-minute intermission between episodes)

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